DTS PRO Series Guía de usuario descargar pdf (Pagina 92)

DTS-HD Master Audio Suite™,

User Guide

v 2.5

Confidential - Do NOT Duplicate 77 DTS Document No.: 9301F55800D

17781 v1

4. Create a single multi-channel audio track for your Primary PCM audio.

5. Load your Primary PCM audio into your multi-channel audio track.

a. NOTE: Your Primary Audio must be one solid region.

b. NOTE: The Primary Audio should be spotted to match the eventual start and end

time of your MAS encode. (EX: If the first reel starts at 01:00:00:00, then the Primary

Audio track should start at 01:00:00:00 in the timeline.)

6. Create an audio track for the Secondary Audio soundtrack (5.1, 2.0, 1.0)

7. Spot Secondary Audio PCM file(s). (Their start and end times should match the final in and out

times of the Secondary Audio on the final authored disc.) Note that Secondary Audio can exist as

individual regions or one complete region that is equal to or less than the Primary Audio duration

as shown below. (Refer to Section 5, Preparing Secondary Audio for Authoring Systems)

a. If you are making a mono Secondary Audio soundtrack which will utilize dynamic

panning, create five mono audio tracks and load your mono Secondary Audio PCM file

into each of those tracks, as shown below.

b. Name each of the tracks L, C, R, Ls, and Rs, and bus the outputs accordingly.

8. Import Video to track

9. Verify that the timecode frame rate of the session is the same as the frame rate of the video file in

Session Setup.

10. Verify that proper sync of Primary, Secondary, and video tracks is correct.

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DTS PRO Series Guía de usuario Pagina 92