DTS PRO Series Especificaciones descargar pdf (Pagina 9)

Punch In/Out Page

Punch Enable

This enables punch mode of the

encoder. Please see the Punch

In/Out section of this user guide for

information about using the punch

feature.

Punch Start, End, Length

These values indicate the time code

location and length of how a punch-

enabled encode process will be

performed.

For more information about the

Punch In/Out feature, see the

section titled Encoding Using Punch

In/Out.

Import Page

Decode Mode -

This control selects how audio will be

imported into Pro Tools when the

“Encode And Import” button is

clicked. If set to Normal, the encoded

data will be decoded normally using

the DTS decoder. If set to Data

Stream, the DTS data stream will be

formatted as PCM audio. If you are

using Pro Tools 6.7 or earlier, there

will be a No Import setting that can

be used to force the system to not

import audio or data. However, a

DAE error will occur each time. Pro

Tools 6.9 or higher is recommended

for better Pro Tools integration.

Alert Sound -

This control selects whether or not

the computer’s audio system will

play an alert sound when an

encoding process has finished.

Pro Tools Controls At Bottom Of

Window - Encoder

There will be one or two buttons at

the bottom of the window. Both start

the encoding process and will write

DTS and/or WAV files containing the

DTS data stream. But the two

buttons differ with respect to

importing data back into Po Tools

when encoding.

Encode And Import Button-

Click this button to encode and also

import decoded audio into Pro Tools.

Encode -

This control only encodes to an

external file and does not moify the

audio in the region list or timeline. If

you use Pro Tools 6.7 or earlier, this

button will not be available and you

can accomplish the same action by

selecting “No Import” in the

Decoding Mode control.

Encoding With Punch In/Out

SoundCode For DTS is able to re-

encode a portion of an existing DTS

data stream file or append additional

encoded audio to the end. This can

save you enormous amounts of time.

If, for example, you have already

encoded a two-hour film soundtrack

for a DVD, but a last-minute change

is made to replace one line of dialog,

you can re-encode just the line of

dialog. Other software-based

systems require you to re-encode

the entire two-hour soundtrack.

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